Let's Make Some Trance

LET'S MAKE SOME POWER WITH DELAY register('o', (orbit, pat) => pat.orbit(orbit)) samples('http://localhost:5432') setCpm(140/4) // LET US TRANCE W/SWITCH ANGEL $: s("tbd:2|4")._scope() $: n("0").add(-14).scale("g:minor") .s("supersaw").tranc egate(1.5,45,1).o(2) .rlpf(slider(----.5)).lpenv(2) $: n("0@2 -7@3 @3").add(7).scale("g:minor") .s("supersaw").tranc egate(1.5,45,1).o(3) .delay(.7).pan(rand) .rlpf(slider(----.5)).lpenv(2) .planoroll()

A woman wearing headphones and large glasses demonstrates live-coded music on screen, gradually building a fast trance track with a 140 BPM setting, a supersaw bass, G minor notes, trance gating, delay, panning, and a lead layer. The joke is the exaggeratedly serious “let’s make some” setup turning into an increasingly elaborate, chaotic-looking code session that audibly produces trance music. It works as a reaction to overengineering a simple musical idea or becoming intensely absorbed in making a beat.

Let's make some fast trance kick drum for on the floor with scope next base super saw controlled with the trans gate. cycle 45 one cycle long the key it needs to be G minor one octave next with a slider an envelope of two next let's make a lead sound from our cloned bass instead of subtracting two we'll add one octave

• @pokupkabitka / 52319 2025-10-10